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Thursday, 9th September 2010

Theme For a NoFX Column

Posted on 10. Oct, 2009 by Brad Abraham in Columns, Music

Theme For a NoFX Column

A snob to my own peo­ple, a pariah among broth­ers, a born out­sider lost in the haze amidst other out­siders. Such were the feel­ings that over­came me as I watched Fat Mike, El Hefe, Melvin and Smelly take the Palace stage for their third and final Mel­bourne show. I couldn’t put my fin­ger on it. […]

Review: Strung Out — Agents of the Underground

Posted on 10. Oct, 2009 by Billy Maulana in Music

Review: Strung Out — Agents of the Underground

Bands and artists can be defined by many things, yet at times longevity in the age of brevity can oft be over­looked. Long­stand­ing Simi Val­ley melod­i­core out­fit Strung Out will never have their for­ti­tude and ‘stick-to-itness’ ques­tioned– 7 albums in and now some 20 years into their exis­tence, they rarely shift away from their melody-driven, […]

Pennywise in for the Coin!

Posted on 02. Oct, 2009 by Brad Abraham in Columns

Pennywise in for the Coin!

East Bay Ray seemed like a pretty nice fel­low, But that guy from Philly, I won­der if he knew what he was get­ting into It was the great­est karaoke show that I’d ever seen. Who could blame him? Cer­tainly not me. There were wise­cracks from peo­ple in the scene. I’m sorry Jeff Whathis­name that we […]

Review: The Swellers — Ups and Downsizing

Posted on 02. Oct, 2009 by Billy Maulana in Music

Review: The Swellers — Ups and Downsizing

Tony Sly’s influ­ence is vastly under­rated. Just ask The Swellers, who spend much of Ups and Down­siz­ing (as they did with 2007’s My Ever­est), doing their post-melodicore take on mid-to-late 90s punk which was pri­mar­ily dom­i­nated by Fat Wreck’s ever grow­ing ros­ter of sim­i­lar­ity. At the time, older punks seemed to deride the overly melodic […]

You sir, are a lying, backstabbing motherf*cker

Posted on 01. Oct, 2009 by Billy Maulana in Columns

You sir, are a lying, backstabbing motherf*cker

Unlike it’s North Amer­i­can coun­ter­part, the Aus­tralian music indus­try is a remark­ably small place. Sim­i­larly, the press side of the busi­ness is often claus­tro­pho­bic in nature; lim­ited num­bers of major news­pa­pers along with an unfath­omably small amount of magazine/specialist press. One com­mon fac­tor through­out the coun­try is its reliance on free street press zines– a […]




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