REVIEW ARCHIVE: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z LIVE
   Saturday, 4th July, 2009 - 7:19 PM EDT   
REVIEWS
Barry Gray
Thunderbird 6 [Soundtrack]
(MGM)

The Thunderbirds return within the music of Barry Gray. No, not the new amped-up movie with Ben Kingsley (Why, Ben, why?); this is the classic stuff from the original show with the little Ken-Doll-esque puppets. Thunderbird 6, to be exact, is an instrumental soundtrack set to Gerry Anderson’s poseable action series. The 70-piece orchestra set illustrates what it is to be a plastic fantastic action hero back in the days of disco.

The quality of Barry Gray’s music for Thunderbirds is so undeniably 60’s/70’s. The sassy mix of oboes and violins with animated xylophones creates a light and exciting atmosphere for the series. Each measure is so expressive of the events and action occurring, it’s almost cartoony. Many tracks are what I like to call “landscape music;” much like elevator music, it’s something that you would picture playing as a camera explores aerial shots of rolling landscapes, whether it be seaside or countryside.

Also, international aspects are incorporated from places like India, France, Switzerland and Russia. Lounge-type tracks are interspersed within the longer pieces. I guess there must’ve been some downtime while saving the world. For a show about brave individuals jet-setting around to save the day, such music as this seems much more to be underlining their more laidback, passive moments. But somehow I think that has made it sound more enjoyable and not intrusive or too assaulting to the ears. Clearly, Mr. Gray felt that music should be something like a step parent- a bit gratuitous but an undeniable and valuable support.

This is certainly very different from how instrumental soundtracks are today. Thunderbird 6 takes you back to the sophisticated (albeit politically tense) days of the 70’s to a universe different from the times and an escape from them as well. While modern scores are brilliant, there’s something to be said for truly orchestral sets that are virtually technology-free. There’s a pureness to it. Also, such style as this cannot be recreated in the same way it once originally was. For collectors of TV memorabilia or instrumental music fanatics, this score is a vintage gem.

Reviewed by
Sable Yong
August 18th, 2004 
 
Old Miserable Experience
Team in Training